i am in the field / with it / poetry / keeps me up / calf'inated
I'm reading up on literary theory for a class this semester...
And I'm thinking back to some of the closest critical reading I've done in my past; most of that has been of the Bible. That is the text I've spent the most time doing a "close reading" of over my life, and in community no less! How great. I'm happy to have been doing any close reading of any kind, really. I enjoy it.
Thoreau's Walden would come in second on the list, but the Bible has it beat by hours and hours, and I've also read Walden mostly on my own, applying my own critical ideas and drawing from a few (at the time) hard-to-read scholars.
Here are some thoughts on current reading: If criticism is doing a "close reading," then "theory" is the framework from which you're doing this kind of reading; it's metalanguage. On this level, theory admits that there are assumptions in language and in the practice of reading, and theory thinks that these assumptions should be made explicit.
Patricia Waugh comments, "theory will always try to speak within the terms of its own horizon, its own context of historical practice."
And I'm into comments like that. I find energy there.
And I also find a quick, sharp, personal critique of the reading I've done for most of my life. When I have read the Bible throughout my youth, even in community, I can barely recall someone offering an explanation of the specific "horizon" in which we were doing our close reading of Paul's letters (for example). The only horizon I can think we talked about (or were told) was something like, "Read this. Read it line by line. Let's memorize as much as we can. It's good for you, tells you how to live, and it's true."
Plainly, I believe the horizon was offered as a universal; there wasn't talk of a frame to the understanding or of a very clear admission of assumptions. It was "truth" for "all."
Yet, the energy I find within theory is beauty and clarity in its intention to localize, to mark the horizon with something that creates a space to play, maybe even to "know."
I wholeheartedly believe this can be done with all texts, including our various scriptures. And, it must be done, right?
Our practices, our critical reading and other disciplines, are deeply important. But, like in sport, shouldn't we know what game it is we're playing? Which version of the game, (football or fútbol) and from which time? What does this week's referee really judge harshly on? And, what color are the jerseys?
We should try to speak within the terms of our own horizons, both to play responsibly and well, and also to have the most legitimate fun possible.
Do you think God can ever grow and change, or is he/she completely immutable?
Great question, per usual, at the Soul Pancake site. I really like this prompt and have perhaps grown/changed on this issue as much as any other theological issue, as I've been in the ELCA Lutheran world the past couple years. Short answer: Yes.
http://www.soulpancake.com/post/1213/does-god-evolve.html
once, when i was a cloud,
flying over a clearing near lake tahoe
there was a man, hiking alone, with what looked like a school backpack on his back
he was tired, but had just barely begun his hike
people passed him, they went down the mountain as he went up
and he tried to find excuses to stop ascending while they passed,
concerned to control his heavy breathing
i soared higher, over all of emerald bay and the ponderosa pines
whilst the man finally arrived at a very small lake
he walked around it and found a rock in the bright sun where
he set down his school-like back pack, pulled out two books, a notebook, a banana,
a granola bar, a water bottle, a pipe,
tobacco, and a camera
as I soared higher, making my way across mountain tops,
where expert climbers bound the hills easily
full of great joy in their strength and the ease of their climb,
the man at the lake captured his scene with his camera
he quietly exclaimed how wonderful it was
to be up there, up here, alone,
with the wind blowing the waves against his rock, smoking a pipe
and reading Matthiessen’s “the snow leopard” from the start
the man was happy to be alone
but he was not, alone, and I told him as much
with wisps of white, shapes like snow-covered dragon tales, I called,
I’m up here! I see you! I too feel the wind; I smell your pipe.
Love is full of Here.
and I don’t know if he heard me
he was writing something down just then, and I thought it to be
an inspired moment, though I couldn’t make out the words and
the wind pushed me north,
dagger-peaks obstructing my view of the man
on the rocky ledge
at the edge of everything,
our lonely, life-filled lake.
"Poets for Living Waters" included some of my submitted poems and a cool pic by my cousin, David Farris. (@farris25x on flickr)
http://poetsgulfcoast.wordpress.com/2010/08/11/two-poems-by-shaun-oreilly/
RT of Tony Jones - Werner Herzog reads Where's Waldo?